Edward Hopper (18821967) | Thematic Essay. Heilbrunn Timeline of Art History. The Metropolitan Museum of Art

Share. In the 1910s, hop-picker struggled for recognition. He exhibited his work in a commixture of group shows in rising York, including the expo of Independent Artists (1910) and the celebrated Armory press out of 1913, in which he was represented by a scene titled slide (1911; Carnegie Museum of Art, Pittsburgh ). Although he worked in general in crude oil picture, he as well as mastered the metier of etching, which brought him much quick victory in sales (25.31.7 ). He began living in the Greenwich Vill mature neighborhood, where he would continue to find a studio apartment apartment throughout his career, and he adopted a lifelong chemical formula of spending the summers in New England. In 1920, at the age of thirty-seven, he have his premier(prenominal) one-person(prenominal) exhibition. The Whitney Studio Club, deep founded by the inheritress and arts assistant Gertrude Vanderbilt Whitney, showed sixteen of his pictorial matters. Although nought was s old from the exhibition, it was a symbolic milestone in Hoppers career. \n barely a a couple of(prenominal) years later, Hopper found himself in a farthest more friendly and prominent specify as an artist. His game one-person exhibition, at the Frank K. M. Rehn art gallery in New York, was such a commercial success that every painting was sold; the Rehn trend would represent him for the ease of his career. In 1930, his painting House by the Railroad (1925; Museum of late Art, New York ) was the first work to be acquired for the collections of the newly founded Museum of groundbreaking Art. This image collective the characteristics of Hoppers style: clearly outlined forms in strongly delineate lighting, a cropped committal to writing with an almost cinematic viewpoint, and a bodily fluid of eerie stillness. Meanwhile, Hoppers individualised life had similarly advanced: in 1923, he unite the artist Josephine Verstille Nivison, who had been a fellow student in Rober t Henris class. Jo, as Hopper called her, would generate an indispensable particle of his art. She posed for close to all of his young-bearing(prenominal) figures and assisted him with agreement the props and settings of his studio sessions; she also promote him to work more extensively in the medium of water-color painting, and kept meticulous records of his completed works, exhibitions, and sales.